A Chronicle Series

紀物系列

20202021 FRSS & RSFP

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DESIGNER

宇芊 段

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Name & Concept of Artwork 作品名稱與設計理念

Category 作品屬性:

其他

Concept of artwork 設計理念:

Choosing to not replicate the objects realistically, I shaped the utensils in my memory based on my impression. I kept a lot of textures made, finger marks or traces of throwing on these ceramic utensils. Most of these utensils were made of wood. I used ceramic as a medium for transformation, with the immortal characteristics of ceramics as a gift to the Universe, to record these artifacts that are about to disappear in human civilization.

Artwork infomation

作品材質,陶瓷比例佔:

100%

作品包含其他材質:

長度 (cm):

約40

寬度(cm):

約20

高度 (cm):

約30

淨重 (g):

1500

其他說明:

At the beginning of the Universe, life emerged, and human beings began to create things. The emergence of ceramics originated from the demand for life, and produced a variety of daily utensils and functional wares. However, with the change of the times and the rapid production of industrial products, many functional wares began to be replaced and faded away in life. Coming from a family background with mainly the production of medicinal ingredients, there are many special utensils for the production of medicinal materials placed in my family home. They have their own value and history, but have gradually become unknown over time.

an evocative collection, heightened by a sense of materiality

Anthony Quinn

Subject Leader Ceramics, Course Leader BA Ceramic Design,
Central Saint Martins
倫敦藝術大學 中央聖馬丁藝術與設計學院 陶瓷系主任〈譯〉

Forms and concept work well together and I like the idea of an archaeology of the future.

Christopher McHugh

Course Director of Ulster University BA Hons Ceramics, Jewellery & Silversmithing
北愛爾蘭阿爾斯特大學陶瓷、珠寶與銀器學系系主任 〈譯〉

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