Name & Concept of Artwork 作品名稱與設計理念
Category 作品屬性:
擺飾
Concept of artwork 設計理念:
Mikania micrantha, a common invasive weed, reflects the unseen flourishing of weeds in an ever-shifting landscape. To make visible the local flora often hidden and overlooked, it records the resurgence of plants creeping back into the urban environment. A fragile porcelain form is built only to warp in the kiln, echoing nature’s quiet return beyond our control. The unpredictable movements mirror the delicate resilience of porcelain and weeds.
Artwork information
作品材質，陶瓷比例佔:
100%
作品包含其他材質:
長度 (cm):
14
寬度(cm):
9
高度 (cm):
37
淨重 (g):
400g
其他說明:
Tan’s studio practice is a material-driven investigation of the fragile yet enduring nature of porcelain. The inherent properties of the material — whiteness, luminosity and translucency allude to the quiet and fleeting hybridity of light and nature. Her designs reflect notions of fragility and impermanence in the ever-changing. To record nature in a delicate state of flux, the floral motifs preserve the subtle tension between strength and fragility. Her techniques emulate the qualities of soft light filtering through foliage, overgrown local weeds and glistening dewdrops, often immaterial and overlooked in the urban landscape. Her design collection is a series of sculptural porcelain installations: wall, floor and hanging, that interplay with light and space. The space is designed to invite viewers into a quiet observation of the transitory moments found in the mundane.
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Kwanho Woo
Director of the Ceramic Research Center in Hongik University
韓國弘益大學陶藝研究所所長〈譯〉
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具有強烈的個人風格
李光裕 Guang-Yu Lee
Design Director of Franz Collection Inc.
法藍瓷股份有限公司設計總監
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I believe a different approach to the work is necessary to better realize this concept.
Tomohiro Daicho
Head of the Crafts Section at the National Museum of Modern Art, Kyoto
TOP
A good work where the unit creates texture