Name & Concept of Artwork 作品名稱與設計理念
Category 作品屬性:
其他
Concept of artwork 設計理念:
I view the world through structure, shaping my own sense of order. This work reveals two layers: one of visible form—repetition, alignment, and rhythm—and one of absence. A deliberate void lies at the center, suggesting latent emergence. Together, these layers reflect my dual lens: structure and possibility. Within this space, I continually examine and shape my own criteria and vision. This is my way of perceiving the world and composing a life.
Artwork information
作品材質，陶瓷比例佔:
100%
作品包含其他材質:
This piece was created through the slip casting technique.
長度 (cm):
21
寬度(cm):
21
高度 (cm):
21
淨重 (g):
2670
其他說明:
People perceive the world through their own unique frameworks. I view the world through a structural lens, continuously shaping my own sense of order. This work unfolds across two layers. The first reveals order through structural form and repetition. Identical units create rhythm, density, and vertical alignment—reflecting my analytical way of seeing. The second layer is a dimension defined by absence. At the center lies a deliberate void—physically empty, yet sensed as a space where generative flow resides. Left intentionally blank, this silent center suggests latent potential. It becomes another dimension in the sculptural order, a threshold where structure ends and new possibilities begin. This silent core is the generative source of the work. These two layers reflect my dual approach to the world: structure and possibility. Together, they embody a generative force—my unique perspective for exploring and interpreting the world. Within this space, I continually examine and shape my own criteria and vision. This is my way of perceiving the world and composing a life. Through what kind of order and sensibility do you perceive the world and shape your life?
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Kwanho Woo
Director of the Ceramic Research Center in Hongik University
韓國弘益大學陶藝研究所所長〈譯〉
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技巧成熟穩健
李光裕 Guang-Yu Lee
Design Director of Franz Collection Inc.
法藍瓷股份有限公司設計總監
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The work is highly aesthetic and it is a challenge to cast the different elements to fit to each other.
Wilhelm Siemen
Former Director of Porzellanikon
Staatliches Museum für Porzellan
德國賽爾布陶瓷博物館前館長 〈譯〉
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I can imagine which work this artist used as a model. Compared to that work, it falls short overall, making it difficult to give a favorable evaluation.
Tomohiro Daicho
Head of the Crafts Section at the National Museum of Modern Art, Kyoto
TOP
It would be more effective if the color and combination structure of the unit were varied