Love Letter to Home

2019 FRANZ Rising Star Project

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DESIGNER

Seong Weon Lee

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Name & Concept of Artwork 作品名稱與設計理念

Category 作品屬性:

其他

Concept of artwork 設計理念:

Korean ceramics is one of my most prominent interests. While it is not fancy or colorful, it is an elegant depiction of beauty. I try and find a place for my work in contemporary art while respecting the culture I hold dearly. My practice is a link to my home and my culture. Wheel throwing is the tool I use to pay homage to what I consider important. I can meditate while throwing repetitive forms and accumulate my feelings of and for home. As I am throwing these forms, or pots, I am practicing traditional Korean techniques and forms and integrating new elements. As I continue to practice these traditional techniques, I want to change the way the objects themselves are viewed. I do not like the thought “a pot can only be about utility or as a single object.” That thought does not acknowledge the function outside of its uses or how it communicates to its neighbor. I use multiples to create an environment. Each pot I throw is just one small part of the work; the work not complete if one is missing. Like my thoughts and feelings for my culture, my work cannot be separated into bits. They exist together, building and growing with one another.

Artwork information

作品材質,陶瓷比例佔:

90%

作品包含其他材質:

Wood

長度 (cm):

293

寬度(cm):

46

高度 (cm):

214

淨重 (g):

N/A

其他說明:

N/A

作品简约,线条流畅,层次丰富,简洁大气,具有装饰性和实用性。

高鵬 Peng Gao

FDC Director, Secretary-general of the FDC Academic Committee
北京師範大學未来設計創新中心主任

a beautifully staged, poetic and powerful instalation.

Anthony Quinn

Subject Leader Ceramics, Course Leader BA Ceramic Design,
Central Saint Martins
倫敦藝術大學 中央聖馬丁藝術與設計學院 陶瓷系主任〈譯〉

Study how to be a meaningful and artistic structure.

Kwanho Woo

Director of the Ceramic Research Center in Hongik University
韓國弘益大學陶藝研究所所長〈譯〉

this is very strong body of work which celebrates traditional Korean forms and aesthetics as objects of contemporary culture. This work is original in its form. The skill and craftsmanship is strong and the concept is clearly communicated through the installation work.

Rhiannon Ewing-James

Creative Producer of British Ceramics Biennial
英國陶瓷雙年展創意總監〈譯〉

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