Name & Concept of Artwork 作品名稱與設計理念
Category 作品屬性:
擺飾
Concept of artwork 設計理念:
Within a year course in Research Lab(2018) in Craft Department of Konstfack University in Stockholm to relook on recycled clay and how to encourage and capture the characters, and extend the usage of recycled clay in ceramic art. Nature and imperfection is the theme in my making. Never Pure is a set of experimental work which discuss about the aesthetic and politic of imperfection and how recycled clay can be used to make a dialogue. The way of seeing and being mindful while making is an important act in order to discover the form and surface. Through nature observation, I realized that purity doesn’t exist in the nature. And if nature is my superior truth, why am I worry that there is a brown spot on my porcelain? It is time to rethink and embrace the imperfection and impurity in clay. Continuously I have been working on how to de‐traditionalize ceramic tradition and sustainability. I research on how to encourage and capture the subtlety of texture, surface, colour and form. My aim is to find the way to extend the properties, characters and usage of clay and other ceramic materials in order to create a unique character of in‐between identity.
Artwork infomation
作品材質，陶瓷比例佔:
100%
作品包含其他材質:
長度 (cm):
50
寬度(cm):
40
高度 (cm):
17
淨重 (g):
6000
其他說明:
Recycle clay, Marbling technique between porcelain and black stoneware, Hand build, Unglazed, Firing temperature 1250C, Oxidation firing
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高鵬 Peng Gao
FDC Director, Secretary-general of the FDC Academic Committee
北京師範大學未来設計創新中心主任
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very exciting experiements in surface, material and form.
Anthony Quinn
Subject Leader Ceramics, Course Leader BA Ceramic Design,
Central Saint Martins
倫敦藝術大學 中央聖馬丁藝術與設計學院 陶瓷系主任〈譯〉
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I enjoy the aesthetics of this work. I appreciate the dense textured surfaces of the simple shapes and the process of recycling clay to produce new work in appreciation for contamination or mixing of clays.
Rhiannon Ewing-James
Creative Producer of British Ceramics Biennial
英國陶瓷雙年展創意總監〈譯〉
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It is a well-matched piece of work in form and texture.
Kwanho Woo
Director of the Ceramic Research Center in Hongik University
韓國弘益大學陶藝研究所所長〈譯〉
TOP
作品质感丰富，具有装饰效果，纹理清晰细腻，变化自然，整体视觉效果极佳。